The Gay Sensibility Travels ‘Gently Down the Stream’
Martin Sherman’s new play takes stock of a generational shift in attitudes as disorienting as it is heartening.
Martin Sherman’s new play takes stock of a generational shift in attitudes as disorienting as it is heartening.
From Lola’s heels to Aaron Burr’s simmer, the improv and TV star feels at home onstage.
Why did The New York Times hire another white guy to be their new co-chief theatre critic? He plans to work hard to show us why.
The stars alternate in the leads of Lillian Hellman’s spiky classic in Manhattan Theatre Club’s new revival.
Family and time have something to do with how her new revival cracks open the great musical her uncle wrote with Sondheim.
Composer Stephen Flaherty and lyricist Lynn Ahrens talk about the musical’s long path to the stage.
The Tony-winning actress returns to the Broadway stage in ‘War Paint.’
Theatres who want to respond to the current political climate have a ready vehicle: an angry new two-hander by the author of ‘All the Way.’
In ‘Queens for a Year,’ the playwright dramatized the culture of silence around military sexual assault via five generations of warrior women.
Schooled by Stella Adler in his profession’s highest ideals, he’ll get another chance to live up to them in Arthur Miller’s ‘The Price.’