The Ladies Who Lead: Rachel Chavkin, Diane Paulus, and Susan Stroman Talk Shop
The three directors discuss what it means to be women working in musicals on Broadway—and getting Tonys for it.
The three directors discuss what it means to be women working in musicals on Broadway—and getting Tonys for it.
Setting Shakespeare’s tragedy in Persia isn’t just an aesthetic choice for the Iranian-American actor; it’s an existential one.
In Claire Lizzimore’s new play at Atlantic, Hall has just the sort of workout she looks for: playing a woman whose life is coming apart.
Time Out New York’s longtime theatre editor leaves a legacy of incision and advocacy, and has no plans to go silent.
The longtime Newsday fixture—for decades New York’s only female first-string theatre critic—says she’s resigning, not retiring.
The star is breaking out of her familiar type in the new musical about World War II veterans.
His minimalist aesthetic seems to mesh well with the character-driven work of the composer/lyricist. Next: ‘Pacific Overtures.’
How the Complicite auteur follows trains of thought to the stage, then gets whole audiences on board.
The writer/performer’s new show at Dixon Place promises a carnival ride through a memoir’s revelations.
How the actor keeps it real at the center of a stunning new staging of O’Neill’s stylized 1922 drama.