Amber Ruffin, Happy to Live in the World of ‘The Wiz’
The busy writer was brought on to preserve the essence of the iconic show, while pruning dated language (and adding fresh jokes).
The busy writer was brought on to preserve the essence of the iconic show, while pruning dated language (and adding fresh jokes).
Why and how Amy Herzog and Heidi Schreck took time from writing their own plays to adapt ‘An Enemy of the People’ and ‘Uncle Vanya,’ respectively, for Broadway.
The 3 writers in Second Stage’s Judith Champion Reading Series—Sarah Mantell, D.A. Mindell, and Kaela Mei-Shing Garvin—reflect on their plays and their process.
Set to depart at the end of 2024 after six years at the helm, Lorca discusses her people-centered approach and love for the company.
A dialogue on how students, teachers, and parents can push back against a wave of conservative legislation and intimidation that threatens to chill theatrical expression.
A tenor known for romantic leads, the actor-singer tackles the iconic demon barber with only a slight key change and an emphasis on the humanity as much as the horror.
From an instant connection at a workshop to world premiere productions, the creative duo’s working relationship has continued to blossom over the years.
The film and television actor talks returning to Chicago, acting training, and tackling Margaret Atwood’s ‘The Penelopiad’ at the Goodman.
A TYA radio play-turned-musical opens this weekend at the Kennedy Center, with accessibility and community at the forefront.
In staging his 2020 memoir about his transmasculine journey, P. Carl is incorporating new lessons and context, and doubling down on the love story.