For Winnie Holzman, ‘Choice’ Is Personal
Her new play at McCarter Theatre explores the topic of abortion, minus polemics, plus humor and a touch of mysticism.
Her new play at McCarter Theatre explores the topic of abortion, minus polemics, plus humor and a touch of mysticism.
The director of ‘Days of Wine and Roses’ and ‘Hell’s Kitchen’ and co-director of ‘The Notebook’ talks about his busy Broadway season and his specialty in shows about mental health.
The playwright’s new play at Intar draws on his own youth for lessons about masculinity, assimilation, and language.
With a 7-show season at 2 of Center Theatre Group’s venues, the new artistic director is putting special focus on reviving the beloved, beleaguered Mark Taper Forum.
The founding artistic director of the influential New York City performance venue talks about the shows she’s loved, the changes she’s seen, and the road ahead.
The busy writer was brought on to preserve the essence of the iconic show, while pruning dated language (and adding fresh jokes).
Why and how Amy Herzog and Heidi Schreck took time from writing their own plays to adapt ‘An Enemy of the People’ and ‘Uncle Vanya,’ respectively, for Broadway.
The 3 writers in Second Stage’s Judith Champion Reading Series—Sarah Mantell, D.A. Mindell, and Kaela Mei-Shing Garvin—reflect on their plays and their process.
Set to depart at the end of 2024 after six years at the helm, Lorca discusses her people-centered approach and love for the company.
A dialogue on how students, teachers, and parents can push back against a wave of conservative legislation and intimidation that threatens to chill theatrical expression.