A Critical Lion in Winter: Robert Brustein Looks Back
The legendary critic and impresario is still writing every day, though he’s largely left the battlefield to other warriors.
The legendary critic and impresario is still writing every day, though he’s largely left the battlefield to other warriors.
The playwright, a stalwart of Negro Ensemble Company and Victory Gardens, recalls his good fortune over a long career.
The playwright and screenwriter talks about his Broadway debut with ‘The Parisian Woman.’
The Broadway singer returns to the music of her childhood and discovers some new angles.
The Tony-winning composer explains how piracy helped propel the stage adaptation of the beloved film.
After a quarter century at the helm of ACT, the classics-minded director/playwright is quitting while she’s ahead.
His unprecedented tenure at Yale Rep may be topped off (fingers crossed) by a new theatre-and-school complex.
This month the ‘Malcolm’ mom will play the Stage Manager in a production with Pasadena Playhouse and Deaf West.
The actor reunites with her friend on ‘Moscow Moscow Moscow Moscow Moscow Moscow,’ a modern take on ‘Three Sisters’ at Williamstown.
The legendary Method company is still home, she says, for those who want to dig deep and surprise themselves.