Raising Native Voices, Then Amplifying Them
After years of nurturing writers and performers, the work of L.A.’s Native American theatre is finally paying off.
After years of nurturing writers and performers, the work of L.A.’s Native American theatre is finally paying off.
Where will she take the experimental theatre she inherits from its co-founders? Its history of risk and radicalism points the way.
A role as the gay Mormon lawyer in ‘Angels in America’ on Broadway brings the Texas-born actor back to a play that helped make him an actor.
The Oregon Shakes leader will cross the country to take on a new challenge: to lead a performing arts center at New York’s World Trade Center.
After leading a big transition at Portland Center Stage, he’s making one of his own to take the reins at Denver Center Theatre Company.
Ireland will reprise her role in Martyna Majok’s ‘Ironbound’ this month at Geffen Playhouse.
The Tony-winning Broadway and regional freelance director succeeds longtime leader Carey Perloff.
The theatre in Plano, Texas shuttered in December after more than two decades. We speak to its artistic director, who is moving back overseas.
The poet’s haunting ‘Native Guard,’ now a theatre piece at the Alliance, goes to the Civil War and back.
The nonagenarian actor explains how his willingness to answer a phone and his inability to drive led him to some happy accidents.