Ambition, Onstage and Off: The Old Globe’s Epic Stab at ‘Henry 6’
Director Barry Edelstein may have squeezed 3 Shakespeare history plays into 2 parts for this program, but nothing about this canon-completing repertory extravaganza is small-scale.
Director Barry Edelstein may have squeezed 3 Shakespeare history plays into 2 parts for this program, but nothing about this canon-completing repertory extravaganza is small-scale.
An intrepid, in-demand force in the American theatre, this writer-director is finding more to say through Shakespeare’s only recurring female character, Queen Margaret.
The Washington Post’s next theatre critic is excited to dive into a scene that’s new to him and to continue covering an industry in flux.
As either actor or director, often at N.J.’s Two River Theater, he’s tackled all 10 plays in August Wilson’s canon, but he’s not resting on his laurels.
A roundtable on how to create radically welcoming access at the theatre.
A far-ranging conversation about their common approach to text as a springboard, why they’re past theory, and how they introduced Jessica Lange to Viewpoints.
As the Chicago playwright’s newest work hits the Raven Theatre stage, Allen revisits the gestation and meaning of his South Side-set Grand Boulevard Trilogy.
In her early days as the org’s producing artistic director, she discusses process and the state of new-play development in American theatre.
The director of ‘Days of Wine and Roses’ and ‘Hell’s Kitchen’ and co-director of ‘The Notebook’ talks about his busy Broadway season and his specialty in shows about mental health.
The playwright’s new play at Intar draws on his own youth for lessons about masculinity, assimilation, and language.