Naveen Kumar Is Looking Forward to D.C.
The Washington Post’s next theatre critic is excited to dive into a scene that’s new to him and to continue covering an industry in flux.
The Washington Post’s next theatre critic is excited to dive into a scene that’s new to him and to continue covering an industry in flux.
As either actor or director, often at N.J.’s Two River Theater, he’s tackled all 10 plays in August Wilson’s canon, but he’s not resting on his laurels.
A roundtable on how to create radically welcoming access at the theatre.
A far-ranging conversation about their common approach to text as a springboard, why they’re past theory, and how they introduced Jessica Lange to Viewpoints.
As the Chicago playwright’s newest work hits the Raven Theatre stage, Allen revisits the gestation and meaning of his South Side-set Grand Boulevard Trilogy.
In her early days as the org’s producing artistic director, she discusses process and the state of new-play development in American theatre.
The director of ‘Days of Wine and Roses’ and ‘Hell’s Kitchen’ and co-director of ‘The Notebook’ talks about his busy Broadway season and his specialty in shows about mental health.
The playwright’s new play at Intar draws on his own youth for lessons about masculinity, assimilation, and language.
With a 7-show season at 2 of Center Theatre Group’s venues, the new artistic director is putting special focus on reviving the beloved, beleaguered Mark Taper Forum.
The founding artistic director of the influential New York City performance venue talks about the shows she’s loved, the changes she’s seen, and the road ahead.