Victory Gardens Names Ken-Matt Martin as Its New AD
Martin promises a ‘clean slate’ at the Chicago theatre famed for its playwrights ensemble, after serving as associate producer at the Goodman.
Martin promises a ‘clean slate’ at the Chicago theatre famed for its playwrights ensemble, after serving as associate producer at the Goodman.
Looking toward the future, Shelley hopes to create an inclusive atmosphere that cements the House Theatre of Chicago as a destination for artists to come and create.
Artistic leaders at the Playwright Realm writers’ service organization talk about how, when, and whether to send your work for consideration.
Artists’ Rep’s new managing director wants to break down the silos in her workplace and in her art form too.
From the ‘West Side Story’ tour to television to work with George C. Wolfe, this performer/choreographer has followed each next step where it led.
The pandemic has given the Chicago playwright a chance to step back and rethink his approach—and he hopes theatres are doing the same.
The New York Times’ newest critic at large thinks about culture both broadly and personally, and strives to deliver dialogue, not a verdict.
ACT’s new director of the conservatory talks about teaching self-analysis, working within structures to dismantle them, and the possibilities of digital platforms.
The Times’ lead critic looks back on a fertile period in the field and reflects on the role he played in it.
The 45-year-old Pennsylvania theatre will also initiate a national search to fill out its senior artistic leadership team.