OKC Rep’s Kelly Kerwin: Program Locally, Present Internationally
As this dramaturg/producer plans her first season at the theatre, she’s looking both outward and inward.
As this dramaturg/producer plans her first season at the theatre, she’s looking both outward and inward.
The former leader of San Francisco’s Magic Theatre and of NYC’s Women’s Project, she will take the helm of the Boston theatre in July, filling a vacancy left by Peter DuBois’s resignation.
As she takes the reins of the Pace School of Performing Arts, she talks mentorship, marathons, and the future of the field.
The new artistic director of Mosaic Theater Company emphasizes creative collaboration and community development in his vision for the future.
As La Jolla Playhouse’s new executive producer, Keen-Louie aims to keep pushing the field forward, not just for his current collaborators but for the next generation.
For the Broadway League’s first director of Equity, Diversity, and Inclusion, action is going to be as important as words.
Last month Madison Mae Williams, a dramaturg with a focus on new plays, did the field proud in a national TV appearance.
She may be alone onstage for the performance, but she contains—and reflects—multitudes.
As she steps into a new role at D.C.’s Folger Theatre and Library, she’s focused on how a repurposed Bard can help build community.
In her successful soap writing career, she used new-play development skills she honed at the O’Neill and New York Theatre Workshop, among others.