How George Faison Orders His Steps
In a free-ranging retrospective interview, the Tony-winning choreographer of ‘The Wiz’ talks about his influences, his work with pop stars, his time with Alvin Ailey, and the love of his life.
Interviews
David Hare Wants to Know Why We Suffer
His new play ‘Straight Line Crazy’ may treat an American subject, but the English playwright is still addressing some of his chief political and social preoccupations.
Tim Robbins Never Blames the Audience
With a 40th anniversary staging of ‘Ubu The King,’ the Actors’ Gang co-founder is revisiting his company’s roots, though he never strayed very far from them in the first place.
How Phyllida Lloyd and Whitney White Make Work Worth Their Time, and Ours
Joined for the Rolex Arts Mentorship program, these 2 directors have a lot of common interests: interrogating Shakespeare, staging music, and welcoming new audiences.
Suzan-Lori Parks: Make Space for the Difficult Things
With 3 world premieres and a Broadway revival of her hit play ‘Topdog/Underdog,’ the prolific writer keeps singing her song in a variety of keys.
Real Talk: Can Broadway Broaden Its Access and Impact?
Broadway producers Ron Simons and Hunter Arnold talk about the changes they’ve seen (and been a part of) in their field, and point to the changes that are still needed.
Jennifer Kidwell Knows What Time It Is
The multidisciplinary Philly artist can’t be pinned down, but she is never less than fiercely present. Her next collaborative piece: Tall Order’s ‘Those With 2 Clocks’ at the Wilma.
Robert Hooks: Always About the Ensemble
The pioneering co-founder of Negro Ensemble Company looks back on an acting and producing career that was never just about himself.
Jason Alexander Can’t ‘Forget’ the Theatre
Now directing the L.A. premiere of Steven Levenson’s Jewish American family drama ‘If I Forget,’ Alexander holds forth about identity, history, and what he learned from Jerome Robbins.
Alliance’s Susan V. Booth Will Be Next Artistic Director of Goodman Theatre
She succeeds Robert Falls at the company where she once worked as director of new-play development, after 21 years leading Atlanta’s biggest nonprofit theatre.
