Naveen Kumar Is Looking Forward to D.C.
The Washington Post’s next theatre critic is excited to dive into a scene that’s new to him and to continue covering an industry in flux.
Entrances and Exits in Arts Journalism
Peter Marks, Signing Off From His Post
Looking back on his 21 years as the lead theatre critic in the nation’s capital, he says he most cherishes the light he was able to shine on shows, artists, and companies.
Reviewing the Situation With Sara Holdren and Jackson McHenry
Co-lead theatre critics at New York magazine/Vulture, they make the case that 2 heads are better than 1, especially covering a field in flux.
Diep Tran Is Excited to Lead Playbill—Well, Excited and Scared
American Theatre’s former senior editor talks about her new editor-in-chief gig, and how she thinks the theatre discourse has changed for the better.
3Views Reboots Its Critical Mission With 3 New Editors
Brittani Samuel, Jose Solís, and Sarah Rose Leonard will lead the site, originally founded by Sarah Ruhl and Julia Jordan, aimed at diversifying the critical discourse.
Maya Phillips: ‘I Absolutely Believe in Criticism’
The New York Times’ newest critic at large thinks about culture both broadly and personally, and strives to deliver dialogue, not a verdict.
Ben Brantley: A Critic Is a Mirror, Not a Shaper
The Times’ lead critic looks back on a fertile period in the field and reflects on the role he played in it.
Jose Solís: The Critic as Cheerleader, and Critics’ Lab Leader
Solís, who has been leading a BIPOC Critics Lab on his own steam, will lead one under Kennedy Center’s auspices next month.
Regina Victor: Critiquing With Love
Armed with the idea that truth-telling and empathy don’t have to be mutually exclusive, they founded Rescripted, an independent Chicago theatre publication.
Helen Shaw Wants To Be the Anthony Bourdain of Theatre
Succeeding Sara Holdren at New York magazine, Shaw will shine her unblinking critical light on works big and small.
