a.k. payne’s ‘Furlough’s Paradise’ Wins Susan Smith Blackburn Prize
Their two-hander about cousins sharing grief and comparing plans for utopia is part of the writer’s growing body of work.
Their two-hander about cousins sharing grief and comparing plans for utopia is part of the writer’s growing body of work.
With an intimate new staging of Ibsen’s thorny ‘Ghosts,’ the versatile director and seasoned producer, who’s nearing the end of his LCT tenure, are not going quietly.
His new play ‘The Antiquities’ offers a kind of history of our post-human future, while a new collection of his plays suggests some common themes.
A little over a year into his tenure leading Baltimore Center Stage, the Tony-nominated director reflects on his city, his impact so far, and what’s to come.
An arts administrator whose résumé spans Philly’s experimental ensemble Pig Iron and Canada’s mainstream Theatre Calgary, she’ll succeed Jeremy Blocker at the Off-Broadway powerhouse.
In the new docu-theatre piece ‘The Ford/Hill Project,’ the words of Christine Blasey Ford and Anita Hill—and their interrogators—live again onstage.
The directors of this iconic NYC festival, now a city-wide celebration since losing its longtime home, aren’t just planning next January’s programming but the fest’s next 20 years as well.
New CTC leaders Rick Dildine and Jill Anderson discuss creating lasting memories for young people of all ages, from Minneapolis and beyond.
As she prepares to leave her job as South Coast Rep’s first managing director, she reflects on the path here and the road ahead.
Bart DeLorenzo directs Noël Coward’s original ‘throuple’ play at the Odyssey.