Elizabeth Marvel, Hearing the Voices of America
In the new docu-theatre piece ‘The Ford/Hill Project,’ the words of Christine Blasey Ford and Anita Hill—and their interrogators—live again onstage.
In the new docu-theatre piece ‘The Ford/Hill Project,’ the words of Christine Blasey Ford and Anita Hill—and their interrogators—live again onstage.
The directors of this iconic NYC festival, now a city-wide celebration since losing its longtime home, aren’t just planning next January’s programming but the fest’s next 20 years as well.
New CTC leaders Rick Dildine and Jill Anderson discuss creating lasting memories for young people of all ages, from Minneapolis and beyond.
As she prepares to leave her job as South Coast Rep’s first managing director, she reflects on the path here and the road ahead.
Bart DeLorenzo directs Noël Coward’s original ‘throuple’ play at the Odyssey.
Director Barry Edelstein may have squeezed 3 Shakespeare history plays into 2 parts for this program, but nothing about this canon-completing repertory extravaganza is small-scale.
An intrepid, in-demand force in the American theatre, this writer-director is finding more to say through Shakespeare’s only recurring female character, Queen Margaret.
The Washington Post’s next theatre critic is excited to dive into a scene that’s new to him and to continue covering an industry in flux.
As either actor or director, often at N.J.’s Two River Theater, he’s tackled all 10 plays in August Wilson’s canon, but he’s not resting on his laurels.
A roundtable on how to create radically welcoming access at the theatre.