A Eulogical Elegy With Rhyming Ululations in Remembrance of Ken Page
A tribute from one seeker-clown to another.
A tribute from one seeker-clown to another.
A new 4-actor version of Williams’s classic, which played last year at alternative NYC spaces, is headed for L.A., then Yale.
The book writer for the new Louis Armstrong musical reflects on the show’s winding path through years of Covid, 3 cities, and countless rewrites.
The Atlanta costume designer discusses the art and people who have helped shape her into the artist she is today.
With her new play set to open in her hometown, the Seattle playwright discusses how her play engages with Arthur Miller’s work and her dream collaborations.
Bookended with plays by Black women writers across the span of a century, this month’s survey includes the founding of an influential political theatre, a path-breaking First Nations narrative, and more.
An interview with the playwright of ‘Salesman之死,’ about Arthur Miller’s collaboration with Chinese theatremakers on the premiere of his signature play in Beijing in 1983.
The directors of this iconic NYC festival, now a city-wide celebration since losing its longtime home, aren’t just planning next January’s programming but the fest’s next 20 years as well.
This month we recap a fast-paced, eventful month and get to hear from visionaries Miranda González and Raquel Torre.
Inclusion in the theatre begins, but doesn’t end, with matching diverse programming and new audiences.