How Raja Feather Kelly Fuses Dance to Theatre, and Vice Versa
When this go-to choreographer is doing his storytelling job right, you may not even notice the dancing at all—but he’s got more moves in store.
When this go-to choreographer is doing his storytelling job right, you may not even notice the dancing at all—but he’s got more moves in store.
After years of soul-searching, this summer’s LMDA conference in Philly promises to engage the whole field in a fresh, inclusive dialogue about which forms sustain us (and which don’t).
April has been an eventful theatre month, from Mae West’s obscenity charges to Shakespeare’s birthday to the Tony Awards ceremony.
Far from simply preaching tolerance among Jews, Christians, and Muslims, this 18th-century comic fable insists on true inclusion and fellowship.
For 2 new plays at the Huntington, the ‘Luck of the Irish’ playwright draws on her family dynamics and Boston roots, respectively.
A new theatre piece based on a Claudia Rankine essay may be educational for white audiences, but for Black audiences it’s merely relatable.
The original Orin Dennis from ‘Children of Lesser God,’ the self-starting Merkin had a rich career as a Deaf theatre innovator, mentor, and raconteur.
The experimental theatremaker and scholar looks back at the Civil Rights era, the Free Southern Theater, and the time he directed August Wilson in Johannesburg.
For 50 years, Su Teatro Culture and Performing Arts Center has been a Denver-area home for storytelling, learning, and community engagement.
As this dramaturg/producer plans her first season at the theatre, she’s looking both outward and inward.