Why So Much Rain on Beanie’s Parade?
Fair criticism is one thing, but the vitriol directed at the ‘Funny Girl’ star, or at anyone who dared to celebrate her historic casting, felt personal.
Fair criticism is one thing, but the vitriol directed at the ‘Funny Girl’ star, or at anyone who dared to celebrate her historic casting, felt personal.
The recent unveiling of Alison Saar’s sculpture ‘To Sit A While’ kicked off a national tour to raise awareness of this great American writer and the many who follow in the path she paved.
Over nearly 5 decades, the co-founder of Spiderwoman Theater has harnessed great if under-acknowledged power, and has felt an accordingly great sense of responsibility.
In both his work and his writing, the path-breaking English director challenged all of us who make theatre to consider not only how we do it but why.
July features the founding of a few illustrious theatrical organizations, a turn on the burlesque business wheel, a Sam Shepard classic in the remaking, and a powerful advocate for Latino playwrights.
The program will be part of the company’s next season in their new building on Third Avenue.
6 writers, 10-minute plays, a 4-night run, the 13th season: how this eminent New York festival celebrating Black dramatists has multiplied its impact.
Last weekend the seminal New York experimental ensemble feted a formidable legacy of collective creation, cross-pollination, and cultivation of generations of theatremakers.
James Ijames, Kristina Wong, and Sylvia Khoury talk about what inspired their award-worthy plays and how they shaped them.
Postponed by the pandemic, the latest iteration of Germany’s most famous Passion Play has returned with spectacle and spirit intact, minus some of its nastier legacies.