So Good to See You: Highlights From Pittsburgh’s 2022 TCG National Conference
After 2 years held entirely remotely, this year marked TCG’s first hybrid conference, with both virtual and in-person gatherings focused on healing and learning.
After 2 years held entirely remotely, this year marked TCG’s first hybrid conference, with both virtual and in-person gatherings focused on healing and learning.
She succeeds Robert Falls at the company where she once worked as director of new-play development, after 21 years leading Atlanta’s biggest nonprofit theatre.
Currently touring as the low-voiced underworld kingpin Hades, Morrow is drawing on a lifetime of triple-threat experience on Broadway and on the road.
How the historic Los Angeles company has stabilized both its mission and its finances.
The Minnesota theatre is thriving in difficult times thanks to nimbleness, versatility, and time for reflection.
Serving a community of color without identifying as a theatre of color has led this 65-year-old theatre to build bridges, while struggling with fundraising.
Two theatremakers explore both the need for and the possibility of a truly diverse aesthetics of the theatre.
As theatres scrap training programs that have often been more exploitive than educational in favor of paid positions, entry-level work may grow both scarcer and more equitably accessible.
The 3 women who’ve played this pivotal Sondheim/Lapine role on Broadway talk about who she is, what she learns, and oh—by the way, does she have a name?
The staff, board, and artists at New York’s Ensemble Studio Theatre share the good, bad, and ugly of what it is taking to transform their institution.