Bob Kalfin and Me: A Friendship Over Half a Century
From our first meeting, he opened me up to a panorama of possibilities, not only in the theatre but in myself.
From our first meeting, he opened me up to a panorama of possibilities, not only in the theatre but in myself.
With a Broadway debut about disabled folks and their caretakers, the playwright of ‘Sanctuary City’ and ‘Ironbound’ is again writing at the margins.
A new play at Barrington Stage Company, about a class-riven romance among 2 wheelchair and text-to-speech users, also has plenty of disabled talent backstage.
Gearing up for their 6th collaboration at the Goodman, the playwright and director reflect on an artistic partnership that has spanned 25 years.
Readers respond to a review of a book about making it bleed onstage, and a theatre leader takes issue with a recent report on a necessarily changing field.
A mix of familiar and new titles, of challenge and comfort, characterizes this year’s lists, the first this magazine has done since 2019.
This busy writer-director, known for new works, is now staging ‘A Raisin in the Sun’ at the Public, but it’s more a case of continuing a legacy of Black iconoclasm than a new career phase.
How a small theatre in Phoenix, now embarking on an all-BIPOC season, is challenging its local colleagues to do better.
Broadway producers Ron Simons and Hunter Arnold talk about the changes they’ve seen (and been a part of) in their field, and point to the changes that are still needed.
Theatre folks from Alaska to Ohio to Misssissippi tell us where they’re seeing the most change and what they’d like to see on a stage in the coming season.