Teo Castellanos, Miami Theatre Transformer
How this local hero has reflected and lifted up his native city on its own terms, both in his original stage work and in his teaching and advocacy.
How this local hero has reflected and lifted up his native city on its own terms, both in his original stage work and in his teaching and advocacy.
Tips on the entire process of making music that serves the director’s vision and fits into the play production process.
It was a year of highs and lows, very often both at once.
The longtime artistic director of Pasadena Playhouse talks about his new book, which recounts a career of both achievements and arguments over the shape (and shade) of the American theatre.
Known as one of the great ‘Wilson warriors’ for roles in all but 2 of August Wilson’s plays, the actor looks back on highlights from his rich and diverse career and looks ahead to another turn on Broadway.
The co-executive directors talk about the unique challenges of this moment, and how their theatre service organization is poised to meet them.
Jordan E. Cooper’s satire could have had more success if it had kept cultivating audiences as intentionally as it did throughout its early development.
The tight-knit troupe, whose unique training has been at least as influential as its form-bending work, ends its 30-year run in a typically unlikely way: with a take on ‘A Christmas Carol.’
This Rhode Island company is both fostering new work by neurodiverse artists and creating new guidelines for the inclusion of neurodiverse audiences.
Why is this groundbreaking Broadway musical closing so soon? The tale of its creation, evolution, marketing, and critical reception offers plenty of clues—and some glimmers of hope.