Tim Robbins Never Blames the Audience
With a 40th anniversary staging of ‘Ubu The King,’ the Actors’ Gang co-founder is revisiting his company’s roots, though he never strayed very far from them in the first place.
With a 40th anniversary staging of ‘Ubu The King,’ the Actors’ Gang co-founder is revisiting his company’s roots, though he never strayed very far from them in the first place.
The latest entry in the new-play festival game, staged in August across 5 venues in an arts-centric town, had impressive local buy-in and enthusiastic full houses.
Back in August after a pandemic hiatus, the biennial gathering of Black theatremakers reclaimed its status as both a reunion and a showcase for new work.
Joined for the Rolex Arts Mentorship program, these 2 directors have a lot of common interests: interrogating Shakespeare, staging music, and welcoming new audiences.
Director Clinton Turner Davis remembers Charles Fuller, the playwright known for ‘A Soldier’s Play,’ which earned the 1982 Pulitzer Prize for Drama and the 2020 Tony Award for Best Revival of a Play.
With 3 world premieres and a Broadway revival of her hit play ‘Topdog/Underdog,’ the prolific writer keeps singing her song in a variety of keys.
The writer-performer of ‘Tearsheets’ and ‘Elements of Flesh’ left behind a career in TV and film after surviving a brain tumor, turning her focus and activism to the stage.
Theatre critic for the Los Angeles Times for 22 years, and longtime leader of the O’Neill Critics Institute, Sullivan was an old school newspaperman and a tireless teacher of the craft.
The emerging talent trades in Covent Garden for Northern Ireland with a turn in ‘A Man of No Importance’ and reflects on a few stepping stones in community theatre along the way.
Playwright Jonathan Alexandratos reflects on the plethora of joys, pains, ownerships, references, anxieties, comforts, languages, forms, and more to be found in non-binary plays.