Stephanie Ybarra: Change Is Going to Win
The departing leader of Baltimore Center Stage talks about the challenges the theatre field is facing, and about the changes she was able to make to address them.
The departing leader of Baltimore Center Stage talks about the challenges the theatre field is facing, and about the changes she was able to make to address them.
The current and outgoing cohort of the D.C. playwriting collective reflect on 3 years of pandemic pivot, internal strain, and transformative growth.
From a famous British mimic’s take on American types to the development of Asian American work the West Coast, the month is packed with noteworthy developments.
For the versatile playwright-performer, whose ‘Joy and Pandemic’ is up at the Huntington, writing is a way to understand themself and the world.
The playwright of ‘Kimberly Akimbo’ and ‘Good People’ reflects on a body of work that has evolved in style but can’t help but show his roots.
Yes, he saved a near-bankrupt nonprofit and turned it into a Broadway juggernaut, but all with the aim of supporting artists and serving audiences.
This lifelong fixture of Off-Off-Broadway was singing songs and telling stories right up to the end.
Forged by New York City’s downtown theatre scene in the 1970s, she went on to change lives and open minds as co-founder of the Omaha Magic Theatre.
The current artistic director the Repertory Theatre of St. Louis, Sharif will succeed Molly Smith when the longtime AD retires in June.
The creator of impro, a hugely influential approach to improvisational theatremaking, Keith Johnstone is still guiding students, even after his death.