Deborah Lawlor, the Fountain Theatre’s Guardian Angel
In her life and her work producing theatre and dance in Los Angeles, she never gave less than her all, and we are all the richer for it.
In her life and her work producing theatre and dance in Los Angeles, she never gave less than her all, and we are all the richer for it.
Both with his Tectonic collaborators and on his own, the playwright-director has always explored the architecture of theatre and its potential social impact.
The show’s producer makes the case for recognizing non-traditional forms—including dance-driven, non-narrative shows like this—on Broadway.
As the play-commissioning project Nuestro Planeta turns 1, a writer-director team revisits Colombia and learns of the strength of the Amazon communities.
The company’s 5-decade journey from Off-Off-Broadway outlier to Broadway powerhouse has been steered all along by the same 2 leaders.
A comic theatre staple that originated at the ’87 Edinburgh Fringe, this speed-Shakespeare romp has gotten a new revision for the age of #MeToo and #Black Lives Matter.
The departing leader of Baltimore Center Stage talks about the challenges the theatre field is facing, and about the changes she was able to make to address them.
The current and outgoing cohort of the D.C. playwriting collective reflect on 3 years of pandemic pivot, internal strain, and transformative growth.
From a famous British mimic’s take on American types to the development of Asian American work the West Coast, the month is packed with noteworthy developments.
For the versatile playwright-performer, whose ‘Joy and Pandemic’ is up at the Huntington, writing is a way to understand themself and the world.