Leading From the Middle
Stationed at the center of the production process, stage managers are uniquely positioned to educate, facilitate, and reset expectations.
Stationed at the center of the production process, stage managers are uniquely positioned to educate, facilitate, and reset expectations.
While finding ways to survive in a system hostile to artmaking, we can also make liberatory practices part of our organizational culture.
A colleague remembers the playwright/director/auteur/founder of NYC’s Ontological-Hysteric Theatre, who died on Jan. 4 at the age of 87.
An arts administrator whose résumé spans Philly’s experimental ensemble Pig Iron and Canada’s mainstream Theatre Calgary, she’ll succeed Jeremy Blocker at the Off-Broadway powerhouse.
How a versatile actor picked up ancient Greek in his spare time, and soon became the unlikely bearer of an intimate and ancient tale—in its original language.
An interview with the playwright of ‘Eureka Day’ about creating the play in a pre-Covid world and seeing the show anew through a changed society.
From early-1900s Florida to 1930s-era Seattle, theatremakers both practical and idealistic clocked some milestones.
Through the stories of young Russian refugee children, theatremaker Irina Kruzhilina aims to promote compassion among mistrustful Americans, and create some friendships along the way.
His fantastical new play at Pregones/PRTT puts real and fictional Puerto Ricans on a wild train ride through history and politics.
The diligent arts journalist, who died on Nov. 18 at the age of 47, is remembered for his dedication to theatre and friends.