A Place at the Table
How to become a theatre company’s practical dreamer.
How to become a theatre company’s practical dreamer.
Turning Marley’s face into a doorknob is just Problem No. 1 for ‘Carol’ adaptors.
The conflicts and commonalities I saw at this year’s TCG conference.
Times are changing at the world’s most famous—and infamous—passion play. Plus: Reflections of and on Obergammerau by Robert Wilson and Sarah Ruhl.
Who’s depriving American audiences of the great foreign-language theatre of the world?
Such questions may still confound, but several new-generation theatre writers have answers ready.
Christian theatre artists seek excellence—and salvation—onstage.
Arena Stage goes another round with the heavyweight drama that changed all the rules.
By listening to ‘the figures that take up residence inside me,’ the playwright resurrects a lost and dangerous history—and dares audiences to venture with her into its depths.
The playwright sees himself as a psychic trespasser.