NAATC Opens New Doors for Indy Theatremakers
The first Equity house run by and for Black artists in Indianapolis, Naptown African American Theatre Collective has made ambitious plans and lined up the support to realize them.
The first Equity house run by and for Black artists in Indianapolis, Naptown African American Theatre Collective has made ambitious plans and lined up the support to realize them.
As he enters his last season leading Minneapolis’s Children’s Theatre Company, he reflects on the unique inspiration and value in making work for young people.
As IRT’s longest-serving artistic director, Allen has led the company with an eye on the future, and now it’s Hanna’s turn to serve Indiana’s unique Midwestern audience.
In his Broadway show about Jewishness, antisemitism, and whiteness, ‘Just for Us,’ the comic makes audiences ponder who the ‘us’ is.
Struggling to draw funding and audiences while aiming for the goal of livable wages, companies like 20-year-old BoHo Theatre are making an exit.
He was a lyricist’s lyricist, sure, but his words spoke to everyone, and his life was as full of joy and surprise as his songs.
With just a handful of artfully stripped-down productions, the young director has blazed a distinctive path and attracted heavy-hitting casts. His next: an intimate ‘Uncle Vanya.’
AT’s new Chicago editors check in on happenings at theatres large and small: openings, closings, notable folks, and assorted chisme.
2 trans actors discuss what they’ve found in the role of ‘Twelfth Night’s sad clown, in productions at St. Louis Shakespeare Festival and the Old Globe.
With her playwriting debut, the Steppenwolf ensemble member explores what happens after most stories end.