Grim Reaper Is Strong Presence in Louisville
Death came for everyone, or nearly so, in this year’s Humana Festival offerings.
Death came for everyone, or nearly so, in this year’s Humana Festival offerings.
A new production of ‘Good Woman of Sezuan’ offers cautionary parallels for post-reunification Germany.
The Main Stem is seeing a surge of new shows, but is it good for business?
The dire state of the nation’s economy has affected every aspect of nonprofit theatres’ operations, leaving them with few choices but to retrench and recalibrate.
Stage manager Mark Wright reflects on his work with the master playwright-director.
On the occasion of a rare American premiere, the playwright talks candidly about his new play, his long exile from Broadway, his public vs. private life.
Responses to pieces about Amiri Baraka, Arthur Miller, and about community art-making.
What 3 new works by the author of ‘’night, Mother’ say about her unique career arc, and about the field in which she’s gained a tenuous but undeniable hold.
Cheryl L. West is unafraid to go where her work take her, whether it’s the front lines of the HIV/AIDS crisis or the lives of generations of black women.
Why ‘The Merchant of Venice’ and ‘The Taming of the Shrew’ should remain open to interpretation.