Digesting the Mega-Play
A full plate at Humana’s all-you-can-see new-play buffet.
A full plate at Humana’s all-you-can-see new-play buffet.
Their much-anticipated ‘Tales of the City’ musical will debut—where else?—in San Francisco.
On the stage she and her husband founded, Alaskan artists and themes are right at home.
How the many facets of one theatre artist—adaptor, actor, artistic director—have forged a major playwriting voice.
From Lecoq and Laban to Michael Chekhov and Suzuki, U.S. movement training derives its strength and purpose from abroad.
Capturing the purity and energy of not moving is the roof of the invisible body.
A good mime, asserted the late Marcel Marceau, trains to be an athlete of the heart.
Ten performers analyze the training regimens that animate them on stage.
U.S. movement teachers prefer either a hybrid or an integration of disciplines in the service of training the actor’s body.
Memories of 2 men who infused ‘Fiddler on the Roof’ with their own smiling, brilliant personalities.