Michael Maso: 40 Years on the Periphery of Genius
The Huntington’s longtime managing director reflects on 4 decades, and 4 artistic directors, at Boston’s largest theatre.
The Huntington’s longtime managing director reflects on 4 decades, and 4 artistic directors, at Boston’s largest theatre.
A spark that started in Chicago has caught fire around the country, as both staff and performers for Drunk Shakespeare join Actors’ Equity.
As 1 of 3 leaders at the influential NY theatre, she spent the last 4 years helping it realize outsized ambitions, both onstage and on the balance sheet.
Candrice Jones’s new play about a Southern girls’ basketball team has come a long way, but it hasn’t been a layup.
A few reader responses to recent features and news.
July brings a myriad of stories from theatre’s past, from an actress who witnessed Lincoln’s assassination to the a grounbreaking Deaf-and-hearing production on Broadway.
The first Equity house run by and for Black artists in Indianapolis, Naptown African American Theatre Collective has made ambitious plans and lined up the support to realize them.
As he enters his last season leading Minneapolis’s Children’s Theatre Company, he reflects on the unique inspiration and value in making work for young people.
As IRT’s longest-serving artistic director, Allen has led the company with an eye on the future, and now it’s Hanna’s turn to serve Indiana’s unique Midwestern audience.
In his Broadway show about Jewishness, antisemitism, and whiteness, ‘Just for Us,’ the comic makes audiences ponder who the ‘us’ is.