I Get a Sidekick Out of You
For one young director, assisting is a tricky balancing act with a great view.
For one young director, assisting is a tricky balancing act with a great view.
Assisting is a rite of passage for many artists. Are they getting ahead—or just getting coffee?
In Jan. 2012’s “Approaches to Theatre Training” issue, we ask directors, actors, and writers what it means–and how it feels–to be an assistant.
Emily Mann and Chay Yew write and direct plays, and they run theatres. Not necessarily in that order.
As theatres and audiences face a brave new digital world, 12 of the nation’s most influential theatre critics talk about their towns and their changing roles.
The New York director balances classics and new plays, in big venues and small, while stripping away the safety net.
For Peter Sellars and Maya Zbib, mentorship isn’t a one-way exchange.
When theatre artists and military personnel come together, assumptions on both sides are transformed.
An ancient story wins hearts and minds at the world’s most controversial military base.
Theatre professionals discuss strategies for bringing artists, institutions and communities closer together.