Appointment With Despair: Pages from a Writer’s Notebook
In ‘The Train Driver,’ South Africa’s master dramatist wrestles with the fate of a poor family and what it means to him.
In ‘The Train Driver,’ South Africa’s master dramatist wrestles with the fate of a poor family and what it means to him.
A downtown man-of-all-work advocates an intimately collaborative approach.
The subscription model is dead; long live the subscription model.
Sarah Cameron Sunde has become a specialist in the uncompromising vision of Norwegian master Jon Fosse. Her latest: ‘A Summer Day.’
Dan O’Neil unfurls an envirommental parable in ‘The Wind Farmer’ at Barter Theatre.
Excursions aren’t just for school children at Austin’s ZACH Theatre.
An illuminating take on Ralph Ellison’s novel, inspired by visual artists.
Aaron Posner’s new take on the Persian adventure ‘The Conference of the Birds.’
Even Edward Albee figures she’s the kind of director who’s watching his back.
On ‘Elektra,’ Greek tragedy, and her preferred role in the theatre (not running one).