Deborah Stein and Suli Holum: Now It’s Our Turn
Close collaboration and unhurried gestation characterize the work of this unique ensemble company of two.
Features
Carlyle Brown and James A. Williams: Sparring Partners
After three decades working together, these two have learned to fight from a place of respect as much as passion.
The Long View: A Look at Tim Dang’s Legacy
After 20 years leading the groundbreaking Asian-American troupe East West Players, Tim Dang is still looking ahead at challenges yet to be met.
The Bard’s Beat Goes On
Why have musical adaptations of Shakespeare plays become so plentiful?
Robert Schenkkan Tells LBJ’s History in Rotating Rep
A Texas playwright takes on an iconic Texas politician in ‘All the Way’ and ‘The Great Society,’ and finds a figure of Shakespearean—i.e., tragic—proportions.
Performance Meets Ritual in ‘The Object Lesson’
Geoff Sobelle takes cues from comedians in his new show at FringeArts.
Bron Batten Premieres ‘Sweet Child of Mine’ at Chicago’s Neo-Futurists
Batten’s new show copes with parent/daughter divide by bringing the parents onstage.
In Dallas, the TCG Conference Goes Back to School
At the 2013 Conference, theatre artists went back to their roots to “Learn, Do, Teach” and tackle the topics of innovation, audience engagement, diversity and inclusion, and financial adaptation.
Letters to the Editor September 2013
Readers wrote in to quibble with or praise Johnna Adams’s ‘Gidion’s Knot’ and immersive theatre.
Kwame Kwei-Armah’s Science of Feeling at Home
Kwame Kwei-Armah hits his stride as the artistic director of Center Stage in Baltimore.
