It’s Better With a Band: Musical Theatre’s Next Tune
Forget jukebox shows and rock stars; the American musical looks and sounds more like a jam session between indie bands and theatre artists.
Forget jukebox shows and rock stars; the American musical looks and sounds more like a jam session between indie bands and theatre artists.
A grueling photo shoot puts actors’ training to the test.
The 150 featured plays, by scribes ranging from Emily Mann to Will Eno, represent a stirring spectrum of dramatic voices.
Playwrights are taking up residence at U.S. theatres large and small.
The new musical from Robert L. Freedman and Steven Lutvak tells its grisly tale with just the right measure of taste, tone, and intent—and a whole lot of Jefferson Mays.
The author known for crime fiction novels talks up his play at Chicago’s Congo Square Theatre Company.
Shape-shifting ensembles are surfacing on major U.S. stages, trailing new techniques and changing the playmaking rules.
Readers both reinforce and challenge our article, “The Artist as Entrepreneur,” and more.
In the no-man’s-land between workshops and professional premieres, a university production can be just what a new play needs.
Come for the shopping, stay for the theatre.