In Dallas, the TCG Conference Goes Back to School
At the 2013 Conference, theatre artists went back to their roots to “Learn, Do, Teach” and tackle the topics of innovation, audience engagement, diversity and inclusion, and financial adaptation.
At the 2013 Conference, theatre artists went back to their roots to “Learn, Do, Teach” and tackle the topics of innovation, audience engagement, diversity and inclusion, and financial adaptation.
Readers wrote in to quibble with or praise Johnna Adams’s ‘Gidion’s Knot’ and immersive theatre.
Kwame Kwei-Armah hits his stride as the artistic director of Center Stage in Baltimore.
The source text for Elevator Repair Service’s newest show isn’t a classic text but something more revealing: transcripts from a Supreme Court case on public nudity.
From Hull House, to the Jane Addams Center, to Uptown Theatre, remembering a giant of the Chicago theatre scene.
Remembering the sustaining force behind the Chicago improv institution.
The collective of Asian-American artists will present the play about two Asian Americans in Wyoming.
Two Boston-based companies try new, more ensemble-based approaches to the casting process.
From genocide to robots, it’s a diverse month at theatre festivals around the world.
Christina Ham’s play at Workhaus Collective explores class and race issues in a haunting way.