The Adaptive Spirit of Sean Graney
The Hypocrites founder made his name punking the classics. Now, as a solo auteur, he’s leavening Greek tragedies.
The Hypocrites founder made his name punking the classics. Now, as a solo auteur, he’s leavening Greek tragedies.
The Austin-based ensemble brings their latest show ‘Stop Hitting Yourself,’ inspired by the provocative novelist, to Lincoln Center Theater.
Does it make sense (and dollars) to compensate everyone in a company equally?
American Theatre breaks down what artists need to know about Obamacare and where they can find out more.
A precursor to the L.A. Stage Alliance forms, Charlie Chaplin’s final bow, and more that happened this month in history.
The controversial West Dallas–based ensemble opens a new show in a former bus garage.
Dominique Morisseau’s new play makes its way home to America after a transatlantic staging by London’s Gate Theatre.
The composer/lyricist discusses her new show with Duncan Sheik, ‘Because of Winn-Dixie,’ and why she loves collaboration.
The Reduced Shakespeare Comedy returns for their ninth stage collaboration.
As Cuba’s socialist economy changes, so do its citizens’ career options. What does this mean for Cuban theatre professionals?