Theatre in Egypt Before and After the Revolution
In post-revolutionary Egypt, a theatre culture beset by crises and censorship continues to search for its identity.
In post-revolutionary Egypt, a theatre culture beset by crises and censorship continues to search for its identity.
In post-revolutionary Egypt, a theatre culture beset by crises and censorship continues to search for its identity.
A preview to the special international section featured in the May/June 2014 issue.
AMERICAN THEATRE looks back on the 38th annual Humana Festival of New American Plays, which featured new plays by Kimber Lee, Lucas Hnath and Branden Jacobs-Jenkins. AMERICAN THEATRE’s senior editor Rob Weinert-Kendt sat down over Skype for a podcast conversation with two theatre critics: Erin Keane—arts reporter and theatre critic from Louisville’s NPR station WFPL—and Bill Hirschman, editor and critic of Florida Theater On Stage. They discussed the festival’s offerings, if art for art’s sake is a good idea and the critic’s obligation to the playwright.
An interview with the playwright about his new comedy.
From festivals to interdisciplinary collaboration, from Brazil to Swaziland, each of these locations offers something unique.
In order to help actors memorize their lines, Garrett Ayers conducted research and came up with techniques that are now being applied across the country.
In an interview moderated by American Theatre’s Rob Weinert-Kendt, James Lapine, Santino Fontana, and Tony Shalhoub discuss their show ‘Act One,’ based on the memoir of Moss Hart.
Tricklock Company of New Mexico hosts its annual Revolutions Festival, which brings local and international theatre together in remarkable and challenging work.
New Mexico struggles to make its mark in theatre with more and more companies coming to the fore.