How Parenthood Inspired Sarah Ruhl's 'Oldest Boy'
With her new play, the writer of “In the Next Room” and “The Clean House” imagines parenting a very precious child.
With her new play, the writer of “In the Next Room” and “The Clean House” imagines parenting a very precious child.
The filmmaker and TV producer talks about why he prefers L.A. to his native New York, about plans for a “Pretty Woman” musical, and about beating “Miss Saigon” at softball.
The artistic director and executive director of Steppenwolf Theatre Company talk about their decisions to step down and the legacy they hope to leave.
Site-specific maven Anne Hamburger, back from producing live shows for Disney theme parks, is behind a new multimedia piece about U.S. Marines, ‘BASETRACK Live.’
International in its focus and its aesthetic, the Quantum Theatre has staged multidisciplinary, site-specific work all over Pittsburgh.
Philip Boehm’s company debuts a new translation of Sophocles tragedy in a post-Ferguson St. Louis, and the resonances haven’t escaped him.
New York’s Prelude Festival offers brief, unpredictable samplers of a wide variety of work, plus cozy collegiality. Plus it’s free.
Randy Weeks dies, leaving a legacy of presenting Broadway shows and other attractions to Denver audiences.
Among the names dropped in Terrence McNally’s ‘It’s Only a Play,’ currently on Broadway, are some of the theatre’s finest writers.
The versatile dancer/actor/director Geoffrey Holder died on Sunday at the age of 84.