If I Had a Hammer
A witness of the U.S. Civil Rights struggle happened to be on hand for the historic fall of the Berlin Wall, and the moment resonated.
Features
A Bright New Louisville
Louisville’s burgeoning indie scene is attracting—and increasingly keeping—a flock of eager theatremakers.
Uh-Oh, Oh No: Theatres Face Challenges at 2014 TCG Fall Forum
Over three days in November, speakers and attendees worked through intertwining questions of finances, programming and diversity.
Longform Improv Goes the Distance
More than an acting exercise or a comedy gimmick, improv may have grown into the legit theatrical genre some of its pioneers always envisioned.
Impro Raises the Theatrical Bar
How a troupe of L.A.-based improvisers reawakened one critic’s taste for the possibilities of live theatre.
How I Learned to Stop Worrying and Die Onstage
The distance from the Royal Shakespeare Company to the Improvised Shakespeare may not be as far as you think.
Mike Nichols, from ‘Barefoot’ to ‘Betrayal’
A director whose stage career spanned improv, tragedy, even musicals, as well as some very fine film adaptations of plays.
Out of Town but Not Out of 'Times'
When the nation’s most powerful newspaper chooses to review new plays in early productions outside New York, is that helping or hurting the field?
The Conspiracy Theory Theatre of ‘Danny Casolaro’ and ‘Superheroes’
Two new plays in two different cities raise new questions about shadowy government plots of the 1980s. Coincidence?
Gabriel Kahane, a Musical Theatre ‘Ambassador’
The composer’s new hybrid work takes on myths and truths of Los Angeles, as well as one of his recurring subjects: the musical-theatre form itself.
