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It’s not a one-deal-fits-all world anymore, either for theatregoers or theatres.
It’s not a one-deal-fits-all world anymore, either for theatregoers or theatres.
You’ve raised money to build and staff your theatre—but without cash reserves, you’re just one disaster away from, well, disaster.
In a new installation/show in the Guthrie Theater’s Dowling Studio, artifacts of today become archeological curiosities.
Many new-play programs pay for plays get written and developed. How about one that sets aside money for future productions?
Honolulu Theatre for Youth’s new devised show goes beyond “eat your vegetables” to teach kids about food and sustainability.
From Beethoven to Irving Berlin, the versatile polymath has built a repertoire of solo shows about the lives and work of great musicians.
The dead of Père-Lachaise come to life in a fanciful new play at Pittsburgh Public Theater.
The upside of data mining for theatres: the opportunity to do marketing with demonstrable ROI.
Artistic director Mark Clements says his 50-year-old theatre strives to stage plays that are redemptive—and reflective of a diverse and changing state.
In staging Alice Childress’s obscure 1962 play, the classical-oriented Antaeus Company is making a statement about the play’s value—and its relevance.