Upstream Theatre's 'Antigone' Neither Avoids nor Exploits #Ferguson Echoes
Philip Boehm’s company debuts a new translation of Sophocles tragedy in a post-Ferguson St. Louis, and the resonances haven’t escaped him.
Philip Boehm’s company debuts a new translation of Sophocles tragedy in a post-Ferguson St. Louis, and the resonances haven’t escaped him.
New York’s Prelude Festival offers brief, unpredictable samplers of a wide variety of work, plus cozy collegiality. Plus it’s free.
Randy Weeks dies, leaving a legacy of presenting Broadway shows and other attractions to Denver audiences.
Among the names dropped in Terrence McNally’s ‘It’s Only a Play,’ currently on Broadway, are some of the theatre’s finest writers.
The versatile dancer/actor/director Geoffrey Holder died on Sunday at the age of 84.
Born before the Revolution of 1917, Yury Lyubimov witnessed—and helped to create—Russian theatre history for nearly a century.
Run by lighting designer Andrew Hungerford, Know Theatre is nimble and new-play-oriented.
Marian Seldes shared her wisdom with readers over the years; here a few of the best bits.
The playwright gives a sneak preview of his new work, commissioned by NYC’s Roundabout and premiering this fall at Chicago’s American Theater Company.
Tony Kushner talks with John Lahr about his new biography of Tennessee Williams, and what the playwright’s declining later years say about his art—and about America.