Our Favorite Things: The Year in American Theatre
Twelve-hour Greek plays, white face, drag queens, gender parity…the contributors and editors of “American Theatre” reminisce on what they loved most in the theatre in 2014.
Twelve-hour Greek plays, white face, drag queens, gender parity…the contributors and editors of “American Theatre” reminisce on what they loved most in the theatre in 2014.
As he gears up for another festival January, the downtown impresario weighs in on a busy and changing scene.
For the Pasadena Playhouse’s newest associate a.d., community engagement and theatremaking aren’t just entwined, they’re inseparable.
As the leader of D.C.’s Jewish theatre, Ari Roth works to keep the dialogue going, even—or especially—when it’s contentious.
For the theatre fan in your life (or in your mirror), here are bios, books, cast albums, DVDs and other stocking-stuffer ideas.
This is clearly a teaching moment about race and justice in the U.S. Here’s a list of plays—new and old, all of them eerily timely—that speak to this essential American struggle.
The master director taught me to find the event in every scene—an easy lesson to remember, since each session with him was an event in itself.
A physical-theatre phenom created in 1979 by Jerry Mouawad and Carol Triffle, ‘FROGZ’ brings together acrobatics and animals, and unites audiences of all ages.
After a number of years and as many setbacks, a new musical of Barry Levinson’s buddy film hits the stage, with tunes by Sheryl Crow.
When Shaheen Vaaz set out to make ‘Dirty Talk,’ a show about sexual assault on campus, she had no idea how timely or how close to home it would be.