Out of Town but Not Out of 'Times'
When the nation’s most powerful newspaper chooses to review new plays in early productions outside New York, is that helping or hurting the field?
When the nation’s most powerful newspaper chooses to review new plays in early productions outside New York, is that helping or hurting the field?
Two new plays in two different cities raise new questions about shadowy government plots of the 1980s. Coincidence?
The composer’s new hybrid work takes on myths and truths of Los Angeles, as well as one of his recurring subjects: the musical-theatre form itself.
The South Coast Rep founding member talks about what keeps him coming back for more humbug.
Honored with the Steinberg Distinguished Playwright Award this week, the New York-based writer talks about his inspirations, his process and his memorable titles.
An historic gathering of Latina/o theatremakers put the focus firmly on the work and let the politics—including the identity politics—emerge, or not, from there.
The outgoing artistic director of the Off-Off-Broadway Flea Theater talks about his plans for the transition, and what he’s looking for in a new leader.
A lap dance from a peanut-butter-covered werewolf? A hip-hop Dickens intervention? No wonder this comedy storefront attracts a young, rowdy ATL audience.
A founding staffer at the Village Voice, Tallmer reported on a changing city, and championed its most adventurous theatre, for five decades.
People’s Light & Theatre, along with the greater Delaware Valley theatre community, remember Greg Rowe as a passionate advocate for local arts and their patrons.