Woolly Mammoth Gives Audiences 'Appetizers' of Its Season
Taking a page from the ensemble-devising book, Woolly Mammoth’s new series of workshops incorporates audience input into the play development process.
Taking a page from the ensemble-devising book, Woolly Mammoth’s new series of workshops incorporates audience input into the play development process.
As a gatekeeper to life in the theatre, Marian Seldes was as generous as she was exacting, as embracing as she was regal.
A small North Texas theatre dedicated to African-American voices heads into its 35th year with new leadership and a diverse audience.
The downtown playwright/theatremaker talks about the traps she lays for herself—and for her audiences.
The late British author revolutionized children’s literature with his twisted tales, and they’re flourishing anew onstage. What is it about Dahl’s world that seems to suit our own?
Theatre Facts 2013 shows companies are taking smart steps to regain their economic footing after the Great Recession.
It’s not a one-deal-fits-all world anymore, either for theatregoers or theatres.
You’ve raised money to build and staff your theatre—but without cash reserves, you’re just one disaster away from, well, disaster.
In a new installation/show in the Guthrie Theater’s Dowling Studio, artifacts of today become archeological curiosities.
Many new-play programs pay for plays get written and developed. How about one that sets aside money for future productions?