Blind Leaps Beyond Naturalism with Soho Rep’s Sarah Benson
The British-born director curates her Tribeca theatre with an eye on design, a taste for discomfort and a curiosity about who the work is for.
Features
Virtual Reality, Real Vices in ‘The Nether’
Jennifer Haley’s unsettling play, a hit in L.A. and London now on its way to New York, both dramatizes and questions our immersion in technology.
NYC Festival Wrapup: Emotional Rubble, Glam Rock and Spiritual Cojones
This year, dozens of shows in a few weeks pushed boundaries and pointed in invigorating new directions for performance and performers.
In Ecuador, Theatre That Needs You
Ecuadorian theatre broke away from European conventions in the 1960s. Today’s artists are still venturing outside the theatre walls to engage audiences directly.
Nick Jones, Deadpan Puppet Master of Human Folly
The co-creator of the mad pirates of “Jollyship” is writing plays for people now, but he’s still unleashing comic chaos.
The China Connection: A Conversation with Frances Ya-Chu Cowhig and Christopher Chen
The playwrights of ‘The World of Extreme Happiness’ and ‘Caught’ talk about their complicated relationship to their heritage and the nuances of being Hapa.
Molly Brennan, Chicago’s Queen of Mischief and Make-Believe
She’s tackled nearly every kind of role at every kind of theatre, and this purple-haired local treasure shows few signs of skipping town or slowing down.
Adam Szymkowicz, a Regular at ‘Clown Bar’
While his play about gangster clowns surfs the immersive-theatre wave, the well-known blogging playwright has other tricks up his sleeve.
Kenneth Jones Tells an ‘Alabama Story’ of Race and Censorship
A real-life controversy about a children’s book from 1959 is the basis for a new play with freshly relevant themes.
Katori Hall’s Raptures of the Spirit in ‘Our Lady of Kibeho’
The author of ‘The Mountaintop’ talks about the inspiration and research for her new play, based on a true story from Rwanda.
