Tony Danza’s ‘Honeymoon’ on Broadway
The TV star and sometime cabaret and theatre performer places his bets on the musical ‘Honeymoon in Vegas.’
The TV star and sometime cabaret and theatre performer places his bets on the musical ‘Honeymoon in Vegas.’
Can the New Play Exchange bring transparency and efficiency to the play-submission process? That’s the idea, and soon it will be a reality.
This 194-seat theatre in San Diego’s North County has grown over three decades into a year-round professional company without losing its intimacy and immediacy.
Four- to six-hour performances seem to be proliferating at this year’s Under the Radar and COIL festivals. Why do artists—and audiences—want to go long?
Fighting for freedom of expression in high school theatres can be a complicated cause, but it’s clearly a fight that matters for all theatre artists.
Playwrights superimpose ancient myths over contemporary concerns, in a theatrical alchemy that makes the old seem new again—and the new seem timeless.
With an emphasis on local talent and on presenting a range of classics—including all by its namesake playwright—Cincy Shakes has built both its repertoire and its reputation.
Mike Berkson has cerebral palsy, Tim Wambach has been his personal aide for years—and the two have got some funny stories to share.
From Gerswhin to Lin-Manuel Miranda, a look at January on stages past.
How one small London theatre has rallied the big ones to recognize and address the gender gap on U.K. stages.