Nick Jones, Deadpan Puppet Master of Human Folly
The co-creator of the mad pirates of “Jollyship” is writing plays for people now, but he’s still unleashing comic chaos.
The co-creator of the mad pirates of “Jollyship” is writing plays for people now, but he’s still unleashing comic chaos.
The playwrights of ‘The World of Extreme Happiness’ and ‘Caught’ talk about their complicated relationship to their heritage and the nuances of being Hapa.
She’s tackled nearly every kind of role at every kind of theatre, and this purple-haired local treasure shows few signs of skipping town or slowing down.
While his play about gangster clowns surfs the immersive-theatre wave, the well-known blogging playwright has other tricks up his sleeve.
A real-life controversy about a children’s book from 1959 is the basis for a new play with freshly relevant themes.
The author of ‘The Mountaintop’ talks about the inspiration and research for her new play, based on a true story from Rwanda.
How a bi-national production of ‘Antigone’ took shape in remote Brzezinka, where Grotowkski’s animating spirit still holds sway.
The ensemble of Cutting Ball’s ‘Antigone’ ranged widely in age and experience, but their intensive work in Brzezinka fused them into an ensemble.
Mounting and touring an acclaimed new work about the Armenian genocide, ‘Armine, Sister,’ isn’t even the biggest controversy swirling around the Polish director.
Now in its sixth year, the new-play festival begun by Kelley Girod will feature a premiere by Nathan Yungerberg, ‘Pousada, Azul,’ and several short plays.