Irondale, Where the Process Is the Play
The 40-year-old Brooklyn company has spent the year exploring and interweaving major plays of the 20th century, from Glaspell to Williams to Hansberry. Their current show is ‘American Blues.’
The 40-year-old Brooklyn company has spent the year exploring and interweaving major plays of the 20th century, from Glaspell to Williams to Hansberry. Their current show is ‘American Blues.’
The late director was fluent in matters spiritual, emotional, and textual.
When a painter and a performance artist work with theatres, all parties learn lessons about experience, engagement, and ecstasy.
How a Lakota playwright, 7 Indigenous actors, and an L.A.-based ensemble survived a pandemic, crossed thousands of prairie miles, and confronted centuries of history to make a play.
The Spanish dramatist, now in residency with NYC’s PlayCo, talks about his love for Pinter, his close work with translators, and the radical transformations made possible by live theatre.
From Bernard Herrmann to Luis Buñuel, filmic influences found their way into his musicals’ form and content, up to and including his final show, ‘Here We Are.’
What can blossom when funders put their trust in BIPOC-led institutions like Silk Road Rising, Pangea World Theater, and Penumbra Theatre.
November recalls the play Lincoln first saw Booth in, Kern’s Princess Theatre musicals, a Puerto Rican literary godfather, a gospel Oedipus musical, and a century-defining epic.
Why a very busy TV writer has regularly joined a group of theatre artists who pull all-nighters to create plays from scratch.
Keen Company’s roving production of Joan Didion’s mourning memoir makes a good fit for Long Wharf’s itinerant programming agenda.