‘An American in Paris,’ Back From an Out-of-Town Tryout in—Where Else?—Paris
How a Gershwin classic went from the concert hall to the cinema, and from Paris’s Théâtre du Châtelet to Broadway.
How a Gershwin classic went from the concert hall to the cinema, and from Paris’s Théâtre du Châtelet to Broadway.
Director Steve Cosson explains how his troupe’s new show fits into a tradition of backstage musicals—and not just because of the crescendos and climaxes.
James Ortiz’s young company uses a mix of puppetry and human actors to create a wordless ‘Wizard of Oz’ prequel.
Language and culture, not race, are the faultlines in a new adaptation of Shakespeare’s tragedy by Norwegian director Stein Winge.
The state’s largest Equity house fosters collaboration, not competition, by partnering with nearby companies, including the Pollard Theatre and the Poteet Theatre.
He wrote his best play last, but it’s a mistake to think of the rest of the playwright’s thorny, ambitious, stammeringly poetic work as simply a warmup for ‘Long Day’s Journey Into Night.’
This 49-seat venue in a small suburb west of Chicago serves its neighborhood with new plays at neighborly ticket prices.
From Elaine Stritch’s birth to Arthur Miller’s death, here are some notable dates in February.
The reeling ecstasy of the troupe’s new “record album interpretation” comes via the most straightforward means imaginable.
Christina Masciotti’s uneasily naturalistic play depicts a factory worker fallen on hard times and caught between two contrasting neighbors.