Get Me Rewrite: The Colorado New Play Summit Is a Developing Story
Expanding its offerings to a second week, the Denver Center’s annual new-play meeting gives featured writers more time to get their plays in shape—many of them for the mainstage.
Expanding its offerings to a second week, the Denver Center’s annual new-play meeting gives featured writers more time to get their plays in shape—many of them for the mainstage.
The Irish playwright talks about the ‘supernaturalism of the everyday,’ and about structure and ghosts and Dickens.
Veteran composer John Kander talks and emerging talent Nick Blaemire, both with new musicals at Arlington’s Signature Theatre this month, trade thoughts about the state of musical theatre.
The event offers $15-30 tickets to more than 100 productions at Chicago theatres, and experts and theatre leaders say it’s putting more (and new) butts in seats.
As the battle over L.A.’s non-remunerative 99-seat plan comes to a head, players on either side have radically different prognoses for the health of the city’s sprawling theatre scene.
The actress, now starring in ‘End of the Rainbow’ at International City Theatre, talks about learning to love Judy and why working in real estate wasn’t right for her.
A small, smart venue in a small, smart Iowa town keeps its eye on national trends and tends toward new, often challenging plays.
A new history play set in the future holds its own alongside classics, as well as new works by Stoppard and Hare and a pair of ace musical revivals.
As their 1998 musical about a lynching in the South readies for a Lincoln Center concert, the composer/lyricist and playwright recall its origins and its import.
How Denver Center Theatre Company artistic director Kent Thompson turned Denver into a must-see stop for new-play development with the Colorado New Play Summit.