Lisa Kron, Jeanine Tesori and Sam Gold Welcome You to the ‘Fun Home’
The three collaborators discuss their writing process for the musical based on Alison Bechdel’s graphic memoir, which begins performances on Broadway on March 27.
The three collaborators discuss their writing process for the musical based on Alison Bechdel’s graphic memoir, which begins performances on Broadway on March 27.
In seeming to strike at the foundations of the realist family play, playwrights like Will Eno, Young Jean Lee and Taylor Mac may actually be proving the durability of its four walls.
In her new play, Young Jean Lee explores notions of privilege and identity by conducting an anthropological study of a very particular demographic.
The longtime actor never intended to be a director, but when his husband’s musical needed a leader, he stepped up and found a new passion.
The writer/performer explains his fascination with the vintage film actress who inspired his new play at Abrons Arts Center.
For his play at Kitchen Dog Theater, Trull adapts ‘The Importance of Being Earnest’ for the selfie generation.
In her first play for the Humana Festival, Jen Silverman pays a tribute to badass women in their 50s.
In her play ‘I Will Be Gone,’ hauntings and grief are served with comedy and cupcakes.
Robert Schenkkan and Neil Berg’s new show dramatizes the three days between the crucifixion—and whatever happened next.
Failure can be a gateway to new scenes, new ideas—even a brand new writing identity.