It’s Sunrise in Cuba. Will the Light Reach the Stage?
With the long-awaited normalization of U.S./Cuba relations, theatre artists may be uniquely poised to make the most of the new climate of exchange.
With the long-awaited normalization of U.S./Cuba relations, theatre artists may be uniquely poised to make the most of the new climate of exchange.
Far from detached or academic, the work on offer at the Santiago a Mil festival showed theatremakers in the thick of politics, race and culture.
The festival founder talks about keeping theatre vital in a country recovering from dictatorship and facing new challenges.
Stateside companies form collaborations with theatres based in Mexico, and vice versa, creating a fertile dynamic for art and change.
Some companies that have made U.S./Mexico theatrical exchanges central to their work.
Lin-Manuel Miranda’s subversive new hip-hop history musical richly deserves the acclaim. Here’s hoping it paves the way for more stories of, by and for the hip-hop generation.
A collection of not-so-straight plays, an ensemble-devised work and an African-American living-room play made up the main slate at Actors Theatre’s annual new-play gathering.
The playwright was this year’s honoree at the annual festival in Independence, which featured a generous sampling of his work, and Jen Silverman was the New Voices Award winner.
Art or social service? That’s a false choice for this small but committed L.A. theatre, where theatrical excellence and community service are inextricably intertwined.
This year, in addition to its usual performance offerings, the festival partnered with thinkEAST to get site-specific with an Austin neighborhood.