Do We Even Need to Say This? Yes, Shakespeare Belongs on the Curriculum
A response to Dana Dusbiber’s wrongheaded ‘Washington Post’ column arguing that dead, white Shakespeare shouldn’t be taught anymore.
A response to Dana Dusbiber’s wrongheaded ‘Washington Post’ column arguing that dead, white Shakespeare shouldn’t be taught anymore.
In conjunction with a touring exhibit of the painter’s works, eight new plays inspired by her art are on offer—including one by a distant relative.
This small two-stage theatre produces a wide-ranging season and operates 50 weeks out of the year.
How one dedicated director is keeping the theatre program alive and kicking at a struggling New York school.
At an April conference in Toronto, we came up with a plan for change that can take root and grow into a more equitable future for female theatre artists.
The author’s new play about the advance of technology offers tweet seats, an interactive hallway entrance and a microsite.
Modeling itself after Edinburgh, the Hollywood Fringe Festival may be bigger than ever, but the shows are still small, scrappy and uncurated.
The troupe’s 20th Summerworks festival, featuring plays by Jerry Lieblich, Kate E. Ryan and Jaclyn Backhaus, showcases both its downtown aesthetics and its experimental work ethic.
Colleagues remember the visionary cofounder of Theatre Three, who died two weeks ago.
Plays in Nashville Rep’s Ingram New Works Lab go from seedling to sapling. The town’s new-play scene, and the appetite for it, is growing, too.