How to Cross the Critic-Artist Divide and Live to Write About It
Shaw, Bentley, Tynan—it’s not so odd for professional critics to work the other side of the footlights. But there are a few ground rules.
Shaw, Bentley, Tynan—it’s not so odd for professional critics to work the other side of the footlights. But there are a few ground rules.
This small one-stage theatre exclusively produces works by British playwrights, with an emphasis on farce and a specialty in panto.
‘Off the Main Road,’ a long-unproduced play by the Kansas-born writer, will make its long-overdue premiere at Williamstown Theatre Festival this summer.
This week’s guest is chairman of the NEA Jane Chu, who discusses arts funding and ‘South Pacific.’ Plus, highlights from the TCG National Conference in Cleveland and a discussion of the new Kilroy’s list.
What can theatre possibly mean to migrant workers and refugees in one of the world’s most violent regions? Ask ‘Antigone.’
This new version of ‘The Parent Trap’ story, about teen girls separated by a divorce, draws on the German original but updates it for the contemporary U.S.
In 1990, the theatre’s board gambled on a young writer/director with an agenda. It’s paid off: Mann built a team around her vision, attracted new audiences, and steered the company through both crisis and triumph.
She comes from a large family of theatremakers. Is it any wonder she makes family, and theatre, everywhere she goes, from Cultural Odyssey to the California’s prisons?
Andrew Schneider’s synesthetic masterwork ‘YOUARENOWHERE’ kicks off another summer of barrier-breaking performance at the Berkshires fest.
The ‘Great Comet’ composer returns to Russia for ‘Preludes,’ and this time it’s personal.