Big Feelings and Big Musicals in Seoul
A recent visit to Korea demonstrated that musical theatre can offer emotional and visual journeys beyond language, though not every choice translates well.
A recent visit to Korea demonstrated that musical theatre can offer emotional and visual journeys beyond language, though not every choice translates well.
The festival’s leader accounts for what has been lost and gained from the “divorce” from the Public Theater, and what this year’s multi-venue iteration has in store.
As we wrap up the year, we look back at some memorable moments, celebrate the Joffrey Ballet’s costume crew, and hear from artists J.G. Smith and Drew Dir.
With an abundance of under-used venues and plenty of itinerant artists looking for spaces to do their work, a new effort looks for ways to solve both problems.
This Pacific Northwest-focused roundup includes a literary burlesque artist, a scenic designer/drag performer, an award-winning Iranian playwright, and more.
Looking back on his 21 years as the lead theatre critic in the nation’s capital, he says he most cherishes the light he was able to shine on shows, artists, and companies.
In the series’ final installment, Cornerstone tours Larissa FastHorse’s play through the D/N/Lakota nations, with quietly, joyously transformative results—and learns to say goodbye.
Peter Marks’s departure from the Washington Post is only the latest sign that too many of us have taken the importance of reviews for granted for too long.
Artistic director Ahmed Tobasi has been released, while general manager Mustafa Sheta and others remain detained.
Artists and arts administrators have different approaches to programming, making statements, and safeguarding staff mental health in the wake of the war.