Evan Mills: Sharing Beautiful, Uncomfortable Laughter
After making waves in the Chicago comedy scene, the Second City alum has his eyes set on L.A., but not before helping others achieve their comedy dreams.
After making waves in the Chicago comedy scene, the Second City alum has his eyes set on L.A., but not before helping others achieve their comedy dreams.
86-year-old Nicki Cochrane, a tireless fixture of New York theatre audiences, sees 500 shows a year, by any means necessary.
‘Ghost Waltz,’ Oliver Mayer’s new play at Latino Theater Company, excavates the life of Juventino Rosas, an obscure musician who wrote one of the most popular earworms of all time.
The playwright’s new play at Intar draws on his own youth for lessons about masculinity, assimilation, and language.
What’s it like to get 3 chances to play a god? An actor talks to a playwright about confidence, gender, and climate.
May recalls the Astor Place Riot, a vaudeville women’s rights advocate, the Moscow Art Theatre, a pioneer of Asian American drama, a Chicano performance troupe, and a beloved Tesori-Kushner musical.
Led initially by playwrights Dominique Morisseau and Jeremy O. Harris, Black affinity nights are proliferating at theatres across the U.S.
As Haven Theatre closes its doors after 10 years in the city, it takes with it an initiative that has helped foster 7 cohorts of emerging directors.
A Swedish production about teen insomnia tests the boundaries of storytelling with virtual technology.
Somewhere between the earth and the stars, tradition and experimentation, La MaMa and the Met Opera, he keeps exploring his art form’s possibilities.