Rami Margron: Big Diane Energy
What’s it like to get 3 chances to play a god? An actor talks to a playwright about confidence, gender, and climate.
What’s it like to get 3 chances to play a god? An actor talks to a playwright about confidence, gender, and climate.
May recalls the Astor Place Riot, a vaudeville women’s rights advocate, the Moscow Art Theatre, a pioneer of Asian American drama, a Chicano performance troupe, and a beloved Tesori-Kushner musical.
Led initially by playwrights Dominique Morisseau and Jeremy O. Harris, Black affinity nights are proliferating at theatres across the U.S.
As Haven Theatre closes its doors after 10 years in the city, it takes with it an initiative that has helped foster 7 cohorts of emerging directors.
A Swedish production about teen insomnia tests the boundaries of storytelling with virtual technology.
Somewhere between the earth and the stars, tradition and experimentation, La MaMa and the Met Opera, he keeps exploring his art form’s possibilities.
A new staging of Ghassan Kanafani’s novella inaugurates Golden Thread’s 2024 Season of Palestine with a reminder of our past and invites us to consider a future of joyful resistance.
Tituss Burgess and Azie Dungey discuss faith, adapting a classic, and loving musical theatre.
Craig Lucas’s fanciful, freighted romance returns to the theatre that commissioned it, South Coast Repertory, this time with songs attached.
With a 7-show season at 2 of Center Theatre Group’s venues, the new artistic director is putting special focus on reviving the beloved, beleaguered Mark Taper Forum.