Jonathan Spector: What the Play Wants
An interview with the playwright of ‘Eureka Day’ about creating the play in a pre-Covid world and seeing the show anew through a changed society.
An interview with the playwright of ‘Eureka Day’ about creating the play in a pre-Covid world and seeing the show anew through a changed society.
From early-1900s Florida to 1930s-era Seattle, theatremakers both practical and idealistic clocked some milestones.
Through the stories of young Russian refugee children, theatremaker Irina Kruzhilina aims to promote compassion among mistrustful Americans, and create some friendships along the way.
His fantastical new play at Pregones/PRTT puts real and fictional Puerto Ricans on a wild train ride through history and politics.
The diligent arts journalist, who died on Nov. 18 at the age of 47, is remembered for his dedication to theatre and friends.
It was a year of uncertainty and innovation, relevance and escapism, hate-reads and affirmations.
This last dispatch from the 2024 gathering checks in with some Americans who’ve felt both inspired and challenged by their Polish counterparts.
The co-founder of South Coast Rep won acclaim by staging what playwrights wrote, and helping to sustain a home for their work.
Theatre in Poland inevitably intersects with politics, and not only because it relies on state support.
Remembering a director whose intelligence and sense of humor didn’t just guide careers but built community.